Scorpio Rising
Kenneth Anger
Experimental : 28’ / Fetish, Avantgarde, Masculinity, Gay

A conjuration of the presiding Princes, Angels, and Spirits of MARS, formed as a “high” view of the Myth of the American Motorcyclist. The Power Machine is seen as a tribal totem, from toy to terror. Thanatos in chrome and black leather and bursting jeans. Anger described his now iconic queer film to French magazine Les Inrockuptibles in 1997, in these terms: "An obsession with machines, motorbikes, cars or firearms is governed by the sign of Scorpio. It also governs the sexual organs, which are, in a sense, machines themselves. I see this attraction to machines, power, and speed as a projection of Mars’ energy. The lads in ‘Scorpio Rising’ didn’t realise that they were identifying sexually with their motorbikes, just like cowboys whose horses become part of themselves... I’ve always been fascinated by the survival of primitive and pagan traditions in everyday life.”

 

QL - Retrospective
https://www.kinolorber.com

/ Details

Year: 1963

Country: USA

Language: no dialogue

With: Ernie Allo, Bruce Byron, Frank Carifi, Steve Crandell, Johnny Dodds, Bill Dorfman, Nelson Leigh, John Palone, Barry Rubin, Johnny Sapienza

/ Direction

Kenneth Anger

USA


Kenneth Anger (1927–2023) was a pioneer of avant-garde film and video art. His iconic short films are characterized by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos, and queer iconography. The artist considered his life an artwork in its own right and frequently wove elements of myth, fact, and fiction into his biography.

 


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